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The detection process is very good, but often requires tweaking to remove unnecessary markers. Logic now automatically detects the transients in your audio file and puts Transient markers in those locations.
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Double‑click on the audio region to open the sample editor and click the Transient Editing Mode button on. We're now ready to chop up the breakbeat, and we can use Logic's new transient‑editing functions to do it. Tick 'Globally' to set the project tempo to that of your sample. This causes Logic to look at the length of your audio region, use the Cycle region as the target length and calculate loop tempo from that. Go Options / Tempo / Adjust Tempo Using Region Length and Locators (or use Apple‑T). Now click in the top half of the bar ruler to activate Cycle playback, then click and drag the Cycle range so that it is exactly one bar long in the timeline. First, edit the breakbeat so it's exactly one bar long. Now we'll set the project tempo to match the material we've imported. Once you've recorded or imported your breakbeat, drag it onto an audio track in Logic Pro 9's Arrange page. For illustration in this article, I'll use one bar of the drum solo from the Graham Central Station track 'The Jam'. Grab A Breakbeatįirst of all, dust off some vinyl and grab yourself a classic breakbeat to practise with, or get something suitable from a sample CD or on‑line sample collection. In this workshop, I'll be looking at how you can utilise some of the new functions in Logic Pro 9 to work with breakbeats. This can be time‑consuming - but, luckily for Logic users, Apple have added new features to Logic Pro 9 that can be used to speed it up. Quickly and easily slice, rearrange and process breakbeats using some of the new facilities in Logic 9.Īt the heart of hip‑hop and other dance‑music genres are sampled loops, such as breakbeats and instrumental loops, which are often sliced, re‑programmed and processed to create new material.